![]() The user should also be careful to properly tighten the throat strap if strapped too tightly, the pressure on the transponder from the neck is too great to absorb the vibrations. 5’’ to 1’’ from the center of the throat. The sweet spot is different for everybody but generally located. ![]() To optimize sound quality and volume, the user should find his or her personal transponder “sweet spot” that balances clarity and volume. ![]() Placing the transponder too close to the center, however, will increase muffling. ![]() As a rule, the closer to the center of the throat the transponder is, the louder the transmission will be. In addition, the clarity of the transponder’s transmissions can be affected by the amount of adipose tissue and facial hair on the user’s neck. Also, because the transponder rests on the throat, sounds that are naturally generated in the nasal cavity and by the tongue and lips are muffled. Throat mics tend to cost more than conventional microphones. There are a number of disadvantages as well. Because they do not interfere with the use of other equipment and are highly adaptable to a variety of extreme acoustic environments, throat mics are ideal for a wide variety of tactical and recreational applications. They can be worn with helmets, masks, HAZMAT suits, and full-face breathing apparatuses. Throat mics have the additional advantage of being non-obstructive. Depending on the quality of the transponder, a throat mic can also pick up whispers, allowing the wearer to communicate covertly without giving away his or her position. Throat mics, however, pick up only vibrations from the throat, and are insensitive to background noise and wind turbulence. Boom mics cannot function in high-noise and high-wind environments because they are sensitive to all sounds carried by the air. The transponder sits on the user’s neck, absorbing the vibrations generated by the larynx and turning them into electronic audio signals, thereby transmitting sound directly from the throat.Ībsorbing vibrations directly from the throat confers a number of advantages over conventional microphones. At its most basic, the throat mic consists of either one or two coin-sized transponders mounted on a strap, a wired connection to a radio or phone, and earphones. (2) with 150ohm microphone.The throat microphone, also known as a laryngophone, is a type of contact microphone that was first developed for tank operators and pilots in WWII. All dynamic mics are not affected and are silent while switching'. This effect is far below of the useable mic level but might notable. Notes (1) Optogate suggest 'a few poor balanced condenser mics will make a small 'plopp' when switch to the other desk. Mic 2 Mon is manufactured from 1.5mm steel and is finished in black powdercoat. Each output channel has an associated LED to illustrate channel activity. The switching mode can be altered using a dip switch that is recessed on the left side panel. Modes include push to talk (PTT), output toggle, or mute. As the footswitch is powered via 9V battery cell, phantom power is passed to the microphone 'regardless if there is phantom power switched on or off at one or both desks'. The pedal is compatible with dynamic and condenser microphones with a current consumption of up to 10mA, and the 18-47V phantom power required by the pedal is transferred to the microphone if required. ![]() This can be a useful tool for a talkback channel so that the performer can communicate with the monitor engineer without the conversation transferring to the front of house rig. Optogate Mic 2 Mon footswitch has been designed to allow the user to input a single dynamic or condenser microphone, and output to one of two outputs (A or B). Mic 2 Mon - Footswitch, 1x mic in, A/B out Categories By brand New products Audio and data connectors Video and RF connectors Power connectors, distribution and batteries Connection panels and stageboxes Fibre optic cables, connectors and interfaces Cable assemblies, patchcords and leads Cables Cabling accessories and tools Bags and cases Racks and enclosures Rack accessories and hardware Lights, clocks, furniture, fittings and equipment supports Drives, memory, media, labelling and sound effects Microphones Radio Microphones Microphone supports, amplifiers, powering and accessories Headphones, headsets, earpieces, amplifiers and wireless systems Hearing protection and noise control Record, replay and radio receivers Audio interfacing Video interfacing, processing, monitoring and camera accessories Audio mixers and processing Amplification Loudspeakers and audio monitoring Test and measurement Communications, conferencing and datacoms Assistive Listening Index By brand Index New products Special offers Clearance list ![]()
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